Easily one of the best films of the year. He plays to the gallery, provoking claps, laughs and whistles, thus pulling off the role with élan. If the seller did not know this, they should re-check, and perhaps take this product off the Amazon. This film has easily one of the most wittiest and well written script of 2011, Rajat Arora has penned the script and almost every second line is a classic. She is an ardent fan of film actor, Suryakant, and her one ambition in life is to meet and act with him. Award Panelists will have a hard time deciding which performance should be awarded. I'd like to give brownie points to Rajat Aroraa's dynamic script and razor-sharp dialogue.
Overall a great film, with great acting and brilliant dialogue writing. I say, give her two prizes for best acting. The second hour has its share of super moments as well. Ektaa Kapoor chooses Silk Smitha, the titillating sensation of the 80's, as her subject for Dirty Picture. I actually wondered what prompted the actor to share screen space with Vidya, who has a meatier role and enacts the central character, but he walks his own path throughout the film.
It's an exceptional portrayal of an ordinary person's rise from scratch to extraordinary heights and her subsequent fall. The film chronicles her life, detailing her long struggles, her sexual escapades with men, her fame, her bouts with alcohol, her botched attempt in film production which made her penniless, and finally the emergence of the heroine as the vamp and which relegated the likes of Silk to the background. The film making of the 80's has been captured well and highlights the crudeness of that age, the songs magnify it. Vidya had put on oodles of weight to get the look of the character right and the flabby body only adds a lot of authenticity to the character she depicts on the big screen. The film documents her rise and rise and fall. .
Selvaganesh finds that footage and releases the film, instant fame follows with a rechristening from Reshma to Silk. Naseeruddin Shah, who has been cast as an ageing South Indian superstar, sports wigs, dark glasses and painted moustache, reminding people of the stars of that era. As an Indian Anna Nicole Smith sort of character, Ms Balan slips in to this role with complete ease, displaying an equal combination of raunchiness and innocence via the minuscule clothing, with the more than ample lard or through her naughty smile, she electrifies the entire film. Suryakant's brother, Ramakant, an author, is smitten by her - so much so that he would like her to opt out of movies altogether, so that he could marry her. Tusshar is wonderfully restrained in a significant role.
Silk then gets a chance to act with Surya Naseeruddin Shah and uses her charms to land him in bed. With her plain, next-door-girl looks, she gets ignored but as fate could have it she is given a chance to play a minor role after she manages to sneak into the studios. I wanted to ask the seller to return my money, but it is not worth the while. I tried hard to reload. He plays the headstrong, hot-blooded, rebellious director to the hilt.
Brave, because Milan steps out of the comfort zone to narrate the tragic story of an actress. Don't we all love our flawed entertainers, in most cases the more depraved and shocking an actors life is, the more curiosity we have for that star. The one featuring Vidya outside Anju Mahendroo's mansion is super. Milan Luthria is brave and intelligent. She and Milan Luthria the director, pack all this in slighly over 2. Vidya's interaction with the maker of porn movies is another shocking twist.
A film with a universal theme and terrific mass connect, it has remarkable potential to set the cash registers ringing for one more valid reason -- entertainment, entertainment and entertainment. In fact, Milan and costume designer Niharika Bhasin Khan have ensured that the sexy-looking persona is aesthetically depicted. Oleh Dunia21 Synopsis Rebellious and uninhibited Reshma lives an impoverished lifestyle with her mother, Ratnamma, in 1980s South India. Vidya's sizzling show and dare-bare act is sure to seize the viewers by complete astonishment. One has to credit Emraan Hashmi for willing to take on bold, aggressive characters. Music is ear pleasing, I preferred the tune Ishq Sufiaana. But the same incident repeated itself whenever I tried.
She runs away to Madras, and like, hundreds of young women, lines up outside Jupiter Studios to try and get noticed. His sequences with Naseer and Vidya, both are truly fantastic. Watch Ooh La La, and notice the novel use of oranges and lemons in cinema of that era. Also, the first encounter with Emraan Hashmi. The writing holds the spectators' interest and doesn't let you digress from the screen. But let's give Vidya the due: She delivers an astounding performance, pushing the envelope yet again. Reshma Vidya Balan aspires to be a actress but does not get any breaks, and she is told that she does not have the spice or spunk to light up the screen.