Enga Amma Rani is a 2017 Tamil-language drama film directed by S. . She carries off the emotional scenes and the challenge of breaking down quite well like a pro. In the scenes intended to create a thrill, the music is a little protruding. One of the positive changes happening in Tamil cinema is the increase in the number of films with a female character as solo lead.
In the first half, Bani gives us enough questions to make us wonder what will happen next. Varnika and Varsha look so cute and their performances are praiseworthy. Instead, he gives us a very conventional ghost story that is lacking in both surprises and scares. The former gets more screen time and scores well. In the second half, the film takes a turn towards horror and supernatural elements and those do not gel with the film. One also wonders whether there is some unwritten rule in Kollywood that a film with a female as the lead character should necessarily have a horror angle. She has to take care of her twin daughter Tara Varsha and Meera Varnika and takes up a job to extend their stay in Malaysia.
Let's work together to keep the conversation civil. It looks like the genre is completely changed and that becomes a turn off. The script does not have scope for entertainment in the sense it is normally associated with regular commercial films. In the second half, the film takes a turn towards horror and supernatural elements and those do not gel with the film. The script does not have scope for entertainment in the sense it is normally associated with regular commercial films.
Bani does that with ease with his proper and precise introduction of characters with their backgrounds and the situations they have to deal with. Her husband Sathya is missing, and she cannot return to India, because of some visa complications. His music for the emotional scenes, especially the sorrowful incidents in the makes us feel the pain of the lead character. Bani succeeds in what he set out to in this sense. The film's tagline says Enga Amma and Dhansika plays the mother of two daughters. One also wonders whether there is some unwritten rule in Kollywood that a film with a female as the lead character should necessarily have a horror angle. She has to take care of her twin daughter Tara Varsha and Meera Varnika and takes up a job to extend their stay in Malaysia.
Bani, starring Dhansika, Anil Murali, Namo Narayana in the lead role. The comedy portions involving Namo Narayana are optimal and evoke some lighthearted fun. The climax is convincingly portrayed and we leave the movie hall with a lump in the throat. Namo Narayana makes his presence felt while all other actors are just passable. Suddenly, Thulasi loses Tara to a rare disease which does not show any symptoms.
Varnika and Varsha look so cute and their performances are praiseworthy. On the advice of a friendly doctor, she takes the little girl to a hill station, but there, the girl starts behaving in eerie ways. Muthukrishnan Starring Dhansika, Anil Murali, Namo Narayana Music by Ilaiyaraaja Cinematography A. Thulasi Sai Dhanshika is a single mother in Malaysia, whose husband goes missing after a trip to Cambodia. For an emotional film like this, the relationship of the mother and the kids need to establish well.
The climax is convincingly portrayed and we leave the movie hall with a lump in the throat. Help us delete comments that do not follow these guidelines by marking them offensive. Santhosh Kumar capture the scenic beauty of Malaysia with its real colors. She carries off the emotional scenes and the challenge of breaking down quite well like a pro. Review: Enga Amma Rani begins as an emotional drama but along the way, there is a twist that turns into a horror film. The rest of the film deals with the efforts of Thulasi to save Meera and what happens to her in the process. However, the damage to mitigated to an extent when an emotional connect between the spirit and Thulasi is established in a convincing manner.
Synopsis: When one of her daughters dies and the second one is diagnosed with the same illness, single mom in Malaysia takes her to a hill station, where the girl starts behaving mysteriously. Refrain from posting comments that are obscene, defamatory or inflammatory, and do not indulge in personal attacks, name calling or inciting hatred against any community. One of the positive changes happening in Tamil cinema is the increase in the number of films with a female character as solo lead. Even here, initially, he raises hope and makes us think we could be seeing a slightly different horror film, like the underrated 2015 film, Baby, which also involved a ghost and two sisters. Soon Meera also gets affected by the same disease.
Namo Narayana makes his presence felt while all other actors are just passable. Sai Dhanshika has given a performance that she can proudly boast off for her life time. For an emotional film like this, the relationship of the mother and the kids need to establish well. Bani does that with ease with his proper and precise introduction of characters with their backgrounds and the situations they have to deal with. The film is set in Malaysia and revolves around Thulasi and her twins, Meera and Tara. The rest of the film deals with the efforts of Thulasi to save Meera and what happens to her in the process.