He wasn't traditional by any means, but what he did worked. Indeed, I always rate films but rarely review them, but I just had to get this off my chest. The lack of spoken dialogue really detracted from many of the scenes. If only they had found a way to incorporate a curtain call. There is no negative thing to say about this movie.
The changes made worked very well. It became one of those films which leaves you feeling physically drained from the effort of battling through it. Neither of them theatrical belters, Jackman and Crowe's performances feel subdued in the opening scene. But Marius's political stance puts him in danger and Jean is being relentlessly pursued by policeman Javert, who recognizes him and wants to bring him down. Particularly because so many reviews seem to be gushing about its brilliance, and although I'm fully prepared to admit that my views are in the minority, I think it's important to air them if only in the interest of balance and representation.
Eddie Redmayne, Russell Crowe and Aaron Tveit are also good, and there's some great comedy relief from Helena Bonham Carter and Sacha Baron Cohen. The background has been filled in with elements from the novel, and those who have read Hugo's epic will appreciate nods to Fauchelevent and the Petit-Picpus convent, Gavroche's elephant-home, Marius' grandfather, and the tavern behind the barricade. Am I meant to believe these characters? Tags: , watch Les Misérables - Owarinaki Tabiji, watch Les Misérables - Owarinaki Tabiji eng sub, Les Misérables - Owarinaki Tabiji online ep 1, ep 2, ep 3, ep 4, watch Les Misérables - Owarinaki Tabiji episode 5, episode 6, episode 7, episode 8, episode 9, episode 10, Les Misérables - Owarinaki Tabiji dub drama, watch Les Misérables - Owarinaki Tabiji ep 11, ep 12, ep 13, ep 14, ep 15, Les Misérables - Owarinaki Tabiji ep 16, ep 17, ep 18, ep 19, ep 20, watch Les Misérables - Owarinaki Tabiji ep 21, 23, 24, 25, 26, 27, 28, 29, 30, 31, 32, 33, 34, 35, 36, 37, 38, 39, 40, 41, 42, 43, 44, 45, 46, 47, 48, 49, 50, Les Misérables - Owarinaki Tabiji english subtitle, Les Misérables - Owarinaki Tabiji full , Les Misérables - Owarinaki Tabiji episode final, watch Les Misérables - Owarinaki Tabiji free drama online, watch online Les Misérables - Owarinaki Tabiji in dramafire, dramacool, kissasian, myasiantv, hdfree, dramanice, dramatv, Les Misérables - Owarinaki Tabiji asian tv, Les Misérables - Owarinaki Tabiji Japanese Movie. I honestly loved Russell as Javert. Chasing someone for what, 17 years, because of breaking parole for a loaf of bread, which itself warranted a previous 19 years of suffering? When one of the factory workers, the down-trodden Fantine, dies Jean adopts her daughter Cosette, taking her to Paris as his own child.
She's only just been introduced to us and we know nothing about her presumably because everyoooooone is too busy singing like thiiiiiiiis instead of actually making us caaaaaaare. Just because one woooooord of any given liiiiiine is extended like thiiiiiis, does not, in my mind, make it 'singing'. It will leave you laughing, crying, and feeling inspired. It was mentioned at the very beginning that he has a sister and a nephew of his own, why not take care of them? When even the most mundane of sentences has to be delivered in such a way, it becomes grating. People falling in love within a single glance, which then goes on to motivate someone else to endure warfare to carry the person, half-dead? It's more grounded in the performances and the story, which it tells extremely well. Russel Crowe's soft-voiced Javert takes some getting used to, and while it works more often than one might expect, he sometimes seems to be singing with a sock in his mouthmost notably during One Day More, where he seems to have been mixed in at a different volume level from the rest of the cast.
The Harry Potter books far exceed the movies, yet people can enjoy the movies on their own merit. A film should be able to stand on its own two feet and not require its audience to have read the book or seen the musical. . There is even a quick cut to Gavroche when Eponine is shot, winking at their normally undisclosed sibling relationship. And I didn't think there was any weak link in the cast.
A few songs are shortened, a handful of lines altered, and a few scenarios condensed or adapted to their original literary form, but the whole remains gloriously and satisfyingly intact. The ability to take close-ups gives the film an intimacy that is unattainable on a Broadway stage, and power numbers are sometimes reduced to a chilling whisper. However, I do see why a critic may not like it. A great watch, sure to win some major awards this year! Marius, a war veteran during the battles of post-French Revolution, falls for Cosette, but their lives change forever when the war turns more gruesome than expected. Confrontation is then viscerally set as a full-on close-quarters sword fight.
I don't understand why the casting was given to Hollywood actors instead of singers. Also, a great supporting turn from newcomer Samantha Barks as the heartbroken Eponine look out for her waist - it's absolutely tiny! No character development or involvement. Beyond the monotony, repetition and delivery, there was the story, which perhaps as I had no prior knowledge of the source was nonsensical. Early in the film, when Hugh Jackman is in the church, he suddenly sounds as though he's stepped off the first boat from Ireland, and half of the cast of jumped straight out of a Mary Poppins chalk drawing! Based on the classic novel, Les Misérables, by Victor Hugo, and the classic Broadway stage show of the same name, Les Misérables is the story of Jean Valjean, a prisoner who breaks parole, and the police inspector, Javert, who tries to hunt him down for breaking parole. But this was too much.
In fact, it felt like longer. Tom Hooper's direction and the cinematography, costumes, art design and editing are nothing short of genius. Am I meant to care about them? It's not a critic movie. I can't find a single redeeming feature to mention about this film. The only challenge with a film that so precisely parallels its stage inspiration is resisting the necessity to deliver a standing ovation once the final note has been sung. I'm getting wound up reliving the moment and I've waited till the following morning before doing this review in case my opinion mellowed. Thenardier endures a few cuts most notably the truncation of Dog Eats Dog , but Sacha Baron Cohen steals enough asides and chews enough scenery that his part hardly feels reduced.
In fact, if it weren't for the extended words in nearly every sentence, the film would likely have been at least thirty minutes shorter. If Crowe and especially Jackman are excellent, Hathaway - who lost 25 pounds and most of her hair for the role - is outstanding as the destitute Fantine and Cohen and Carter almost steal the show as the comical Thenardier innkeepers. Even the finale remains perfectly and satisfyingly intact. But they are either explained later on or not important enough to dwell on. I went to see this film as a complete Les Mis virgin, having no idea as to the storyline, and having never seen any previous production nor having read the novel. It isn't that I don't understand that.